Arietta no. 8, 2014, features:

• Beethoven’s Diabelli Variations: Its Autograph Score, and Moises Kaufman’s 33 Variations –William Kinderman
• Structural Implications of the Double Bars in the Autograph of Beethoven’s Diabelli Variations –Barry Cooper
• The Viennese Forerunners of the ‘Diabelli’ Project –Erica Buurman
• The Origins of Beethoven’s Twenty-Third ‘Diabelli’ Variation, Op.120 –Sian Derry
• View from the Top: High Registral Structure in Beethoven’s Diabelli Variations Op.120 –Malcolm Miller
• Beethoven’s Spiritual Journey: The Sonata in A-Flat Major, Op.110 –Jim MacKay
• Beethoven as Pianista? The Reception of Beethoven’s Piano Music in Italy through the 1860s –Aaron S. Allen
• A Cultural Background to Beethoven’s Scottish Folk Song Arrangements: The Edinburgh Musical Society as Eighteenth-Century Scottish Dignity –Clare Taylor
• 20th Anniversary Celebration – Winners and Juries of all the BPSE Competitions
• Reviews of concerts, recordings, books and music as well as BPSE news and views
• In Memoriam—Bernard Roberts (1933-2013)—BPSE UK President (2000-2013)

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